At the end of my undergraduate career at Sarah Lawrence College, I wrote a Senior Thesis which, upon heavy cutting, only amounted to 150 pages of an incomplete work. This excised portion of the project has since stalled, its focus being the direction that was to be the original thrust of the Thesis via Derrida, architectural diagrammatism and the history of simple organizational charts.
As it became, its main focus was on bringing together the thought of Nietzsche (especially his perspectivism and use of metaphor), Wittgenstein (specifically his conception of 'therapy' and the visio-formal emphasis on aspects garnered from his lifelong influence from Goethe, Oswald Spengler, and physicists like Heinrich Hertz), and the early Derrida’s work on Edmund Husserl’s Origin of Geometry. As it happens, all three use their own family of terms related to Goethe’s word "morphology".